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When we describe the sleeve conditon in this listing, we are describing the outer sleeve only, specifically it does not describe the inner sleeve unless explicitly  referenced.Īlmost all of our vinyl discs will include either an original inner sleeve, or a plain inner sleeve, or a printed inner sleeve, which we provide with the sole purpose of protecting the record. If you are looking for a specific version or edition please contact us to verify what we are selling before you buy it. Vinyl discs  are released in many editions and variations, such as standard edition, re-issue, demonstration demo, not for sale, promotional promo, special edition, limited edition, and many other editions and versions.  The disc  you receive could be any of these editions or variations. Unless a colour or picture  is explicitly described in this listing, this purchase is made with the understanding that it could be black or any colour, and or could be a picture disc. New 2020 pressing on pink and green colored wax with nice heavy duty gatefold this one won't hang around for long so don't play yourself like accordian.Stock images can show a black, or coloured, or picture disc. Also check quick rotation favorites "Guinnessez," "Kon Karne" and "Deep Fried Frenz." A necessary album for the true school head MM.Food is perhaps a bit older and more cynical, but just as clever and exciting. The collabos are done tastefully and without fanfare, with Lab hero Count Bass D's "Potholderz" the standout. Grounds for complaints, perhaps, but I'm not left wanting more. Two of the songs were previously released (the Stones Throw fan club 45 "One Beer" and the Molemen-produced gem "Kon Queso," called "Yee Haw" when it was an indy 12-inch single), and the middle 5 minutes of the CD are taken up by a funny and beautifully absurd collage of found sound. By today's standards (hey Nas), the album is short barely cracking 45 minutes. And the true virtuoso makes the very difficult look easy: songs are filled with nonchalant phrases that stick in your skull ("frown like the first time you taste couscous")- and just try to repeat some of those palate-mangling syllables. Doom finds seemingly endless ways to cover it ("MCs is crabs in a barrel pass the Old Bay," "Out of work jerks since they shut down Chippendale's"), lacing almost every line with multiple internal rhymes that place the lyrics halfway between poetry and tongue-twisters ("If I had a dime for every rhymer that bust guns / I'd have a cool mil for my sons in trust funds").
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Take a look at how he treats wack rappers, a grade school-level subject worn to threadbare tatters by a generation of MCs. Indeed, in a just world, Dumile would be a poet laureate, officially recognized for his genius-level skill. Over his own Lite FM-inspired beats ("Hoe Cakes" loops Anita Baker), Doom muses over topics close to home (girls, weed, friends), always with an eye to absurd and apt detail that places him in the company of the greatest poets. This album is organized around the food "concept," but as always the song titles are simply jumping-off points for Doom's uninhibited imagination.
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He's hardly been out of sight since 1999's Operation Doomsday, but a new release under the name that seems nearest to his heart is something special. There's a lot of hubbub in the rap cognoscenti around this new release from Daniel Dumile, man of a thousand (well, at least 5) names.